Sometimes fashion is the leading edge in capturing the zeitgeist, and sometimes it's a follower. In this instance, when Marc Jacobs sent his models out at the recent Autumn/ Winter 2015 Ready to Wear show in New York, he was way behind the times - the prints that he used for his collection were all sourced from William Morris & Co, founder of the Arts and Crafts aesthetic movement, and were in many instances 140 years old.
There's a shift in Interiors and Fashion at the moment to embrace quieter, more muted tones, pattern on pattern, a bohemian vibe and to embrace individuality and the hand made.
The biggest mass appeal look in recent times via Adore Home
For the past 8 years or so the feel has been decidedly influenced by Hollywood Regency style as demonstrated above - lots of painted bamboo furniture, bright white walls offsetting strong saturated colour and bold geometric prints, Foo dogs, bar carts, zebra print, and gourd shaped lamps (or the cockatoo lamp bases) with mismatched shades. It's a little bit preppy, strongly graphic, and has a 50's retro vibe to it. It's also been beloved of bloggers the world over (just add peonies and a colour matched macaron) and is now a look that's been widely commercially copied and filtered decidedly into the mass market with Target enthusiastically joining in.
Via Morris & Co
Via Morris & Co
via Morris & Co
via Morris & Co
via Morris & Co
via Morris & Co
His designs were influenced by the Medieval period, with a lyrical and flowing use of repetitive naturalistic pattern, and had a complexity and richness of design by the layering of pattern on pattern. There's a very strong play of foreground and background in his designs giving them a three dimensional quality and great depth. All his wallpapers were printed using woodblocks, and his fabrics used natural dyes which faded evenly and gave a gentle patina. The fabrics and wallpapers are still produced in England today (the company is now owned by Sanderson), with a very hand made feel to the papers and fabric produced with more modern techniques.
To modernise the range many are being recoloured to suit the current palette in interiors (the originals are also still available) with muted neutrals across the range, and foil elements in the wallpapers. Many new designs have also been created using tile patterns found at his original house (The Red House). I was at a showing yesterday for Morris & Co, and the way in which they were presenting the fabrics (as demonstrated in the images above) proves how modern they can be - they've mixed in Mid-Century Modern furniture with the traditional wallpapers and fabrics to give a freshness and vibrancy to the designs and show how it can fit with modern life for a younger generation of Morris enthusiasts.
A Morris & Co display at the Art Gallery of South Australia
Art Gallery of South Australia
The Arts and Crafts period influenced many of the very large houses and their interiors designed in and around Adelaide (Stirling in the Adelaide Hills has many of them) - Adelaide had many wealthy families at the time from Agricultural and mining booms. As tends to happen amongst friends you will often find that one will influence the others, and many of the wealthy Adelaide families collected Morris & Co and designed houses in the then fashionable Arts and Crafts style. Most of the houses have subsequently been modernised and redecorated and lost much of the richness of the original interior design schemes as a sparser aesthetic took over. A good example is below - this grand Victorian era staircase and entry hall would have originally had rich persian rug style runners on the stairs rather than pale carpet, and walls covered with a patterned wallpaper, rather than being painted out in varying shades of cream.
If you're fortunate to be in Birmingham in the UK this summer, then you'll be able to view the exhibition of Birmingham's Holy Grail tapestries at the Birmingham Museum and Art Gallery. They are exhibited very infrequently due to their light sensitivity, but are stunningly detailed and large scale - worth a look if you can get there.
Holy Grail tapestry via Birmingham Museum and Art Gallery
Apparently there is also an upcoming collaboration between British clothing manufacturer Barbour and Morris & Co with Barbour jackets being lined with his iconic fabric designs.
This all just proves that everything old is new again, it's all just tweaked a smidge to make it current… and that the fickle wheel of fashion is moving yet again to embrace the Arts and Crafts aesthetic.
back corner of the garden - hard to believe this is only 6 months old.
David Austin "Golden Celebration"
Leaves are turning bright crimson and saffron colours in the garden, but there are still the last of the roses putting on a display as well.
I went to a lovely Afternoon Tea at a friend's house out in her garden (it's currently School Holidays) - this was the setting. It wasn't quite so serenely peaceful as it might look in this photo though, as sitting at the adjacent table were 7 children under the age of 9 all demanding constant top ups of drinks, scones and sandwiches.
My children have spent a day collecting pine cones up in the hills in my Dad's garden, which which I've created a few arrangements in lieu of flowers about the place.
views down the side garden
Above is my new Cable Melbourne jumper in grey (this is the back view of it - love the detail in the stitching and the curved hem). I've written about Cable Melbourne before as they are my favourite knitwear brand - much of it is made in Australia and the designs are modern and flattering (and warm!). I will usually buy one or two of their excellent pieces each Winter to add to my existing repertoire of knitwear. This jumper goes well with two of my existing scarfs, one silk in grey with orange edging (it's Fleurs et Papillons de Tissus), and a more casual grey toned Mulberry one that was a gift from a friend for my 40th. I've already worn all of these combos out and about with skinny jeans and ballet flats, and once it cools down further the new leather leggings that I bought heavily reduced in the January sales from Joseph (via David Jones).
On house interiors news I finally had confirmation that the lamp order I've been patiently waiting on from the US has finally left, and is now on a very slow boat inching its way to me. I have 10 lamps in the order, so I can't wait until they're here… it will certainly be a little brighter at night in the house. I've also just ordered two more chairs for the Sitting Room/ Library. They are going to go on either side of the card table under the painting, and will be in this Neisha Crosland fabric (swatch in the photo above) that I've been wanting to use for a very long time somewhere. Believe it or not neutrals can be the hardest thing to decorate with - there are literally a million shades of beige out there ranging from grey/ yellow/ pink/ green and brown toned shades so it was a happy day to find this fabric works perfectly in the room. The cushions I've got underway are still being made up by the workroom, so I'll likely have everything arrive at once to finish off this room with the lamps/ cushions/ chairs. Fun!
And just in time for the change in season and lots of nights in front of the fire we've finally got Netflix, and I'm loving it. If, like me, you're hopeless about remembering to watch a tv series and so miss crucial episodes and lose the train of what is going on (I couldn't follow Downton Abbey after half way through Series 2 for instance) this thing is perfect. Between Mad Men and Wolf Hall starting up on Foxtel, and now Netflix it will keep me busy.
There's the smell of wood fires hanging in the air at night, and the days are definitely getting shorter. Hope you're enjoying the change of season whether it's Spring or Autumn where you are.
The original kitchen from the real estate listing
I haven't done a Before and After of the house for a while, but I think this one is a pretty good transformation. Originally this room was the kitchen in our house, and would have been a kitchen from the time the house was built in 1901. It had last been renovated in the 1970's, and we used it as a kitchen/ dining room for the first three years we lived in the house up until the time the new extension was completed. We had made some small adjustments - during the renovations of the front of the house prior to moving in we'd bricked up one of the doors into the kitchen to the small adjacent servery (which became the children's bathroom), leaving one access point from the hallway.
and my non real estate (no wide angle lens) listing photos - this was just prior to demolition of this room
The other additional problem with this room is that the cellar is directly underneath it, and when a bathroom had been added onto the back of the house the original stairs were covered over, so a hatch had been cut out and a very steep stair/ladder added to access the cellar. As part of the extension we reopened up the original stair location which enabled us to remove the hatch in the old kitchen floor and re-board over the floors. A bedroom with cellar access would have been a little odd...
same angle as the top photo with a bit taken out for the powder room
The kitchen was definitely past its use by date, but the main problem that I had with this space related to the change in use and the plan for the reorganisation of rooms that we made. This room faces South so gets very little natural light, not ideal for a Child's bedroom, and was something that is exacerbated by the veranda that runs around the entire perimeter of the old part of the house making it even darker. The other thing was that I planned to take out a corner of the room to create the Guest W/C/ powder room with access from a new door in the hall. This bedroom was already going to be the smallest bedroom in the house, and was becoming even smaller by removing part of it for this purpose…. coupled with it being dark, having no interesting architectural features such as cornices, deep skirting boards or a fireplace (as it was a kitchen, these things had never been put in the room), it really was the worst room in the house.
The bed is from Lilly and Lolly (Australian company), who manufacture in Australia, and is solid Tasmanian Oak. It's the colour box bed and matching single drawer bedside table unit. I've been really happy with the quality- very solid, well made and should last a long time.
It's now a really cheery, cosy space that perfectly reflects the personality of its inhabitant. He loves his bedroom, and will often take himself off here to spend time looking at books on his windowseat, or playing stretched out on the floor with his cars or Lego. Hopefully it will also be a room that grows with him with only minor adjustments into his teenage years.
Wallpaper - Anna Spiro for Porter's Paint "Higgledy Piggledy Stripe" in Chilli Coral
Paint - Dulux Hog's Bristle 1/4 strength semi gloss enamel
Fabric - China Seas "Aga Reverse" Turquoise on Tint
Bedlinen - Serena and Lily "Cabin Quilt" and Sham in Turquoise, "Border Frame" duvet cover and sham in Coral
Furniture - Lilly and Lolly Colour box bed in Tassie Oak, single drawer bedside table in Tassie Oak
Lamp - Freedom Furniture
Carpet - Quest "St Louis" colour Kendall Coal
Pendant light (not seen in photos above) - Bell pendant light from Normann Copenhagen
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